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Botanical Resistance examines how authority and value are structured, where hierarchy and prestige shape what is centred and celebrated. The series redirects the language of plating toward foraged and cultivated plants linked to medicinal and domestic knowledge. By leaving the traditional “hero” space clear, the work suspends the logic of dominance and scarcity, allowing these materials to hold presence through attention rather than spectacle.
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Immersion explores transformation and the conditions that allow change to unfold. Working with dandelion and calendula, the series observes how form responds to shifts in time and temperature, focusing on process rather than outcome. Within these contained environments, the images move between empirical observation and exploratory play, in contrast to synthetic vision and pseudo-culinary imagery. Change remains gradual and unresolved, privileging duration, material behaviour and sustained attention.
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Legalised Adulteration examines the maraschino cherry as a laboratory object: once a preserved fruit, later reconstructed as a mass-produced symbol of sweetness. Bleached, dyed and standardised, the cherry is sustained by legal definition and visual consistency rather than origin. Its brightness and exaggerated sweetness mask substitution as reassurance. Positioned between childhood innocence and coded erotic symbolism, the work exposes how regulation, aesthetics
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Lucent Anatomy examines how authority is claimed over the body and how power is organised through systems derived from military structures of command and control. Within these systems, prestige becomes closely aligned with death. Mastery is performed through the cut, asserting dominance by disassembly. This series contests that inheritance. The slice becomes an act of exposure rather than conquest, as illumination emerges through the material itself, where subject and light share a common origin in nature, aligning visibility with substance rather than domination.